翻訳と辞書
Words near each other
・ Invisible 5
・ Invisible Adversaries
・ Invisible Agent
・ Invisible Agent (record label)
・ Invisible auditor
・ Invisible Avenger
・ Invisible Baby
・ Invisible balance
・ Invisible Chains
・ Invisible Child
・ Invisible Children
・ Invisible Children, Inc.
・ Invisible church
・ Invisible Churches (Slavery)
・ Invisible Cinema
Invisible Circles
・ Invisible Cities
・ Invisible City
・ Invisible Class Empire
・ Invisible College
・ Invisible College Press
・ Invisible Connections
・ Invisible Creature
・ Invisible Design
・ Invisible Design II
・ Invisible dictatorship
・ Invisible disability
・ Invisible Eagle
・ Invisible Empire
・ Invisible Empire (album)


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Invisible Circles : ウィキペディア英語版
Invisible Circles

''Invisible Circles'' is the third studio album by Dutch symphonic metal band After Forever. It was released on 25 March 2004, by the small Dutch label Transmission Records. It is After Forever's first full-length album since the dismissal of guitarist and composer Mark Jansen, whose musical tastes had strongly influenced the sound of their first work ''Prison of Desire'' (2000) and their successful second offering ''Decipher'' (2001). In this work After Forever choose a new musical direction, mostly revolving around elements of progressive metal instead of the gothic and symphonic metal of previous albums. The creative process for ''Invisible Circles'' took more than a year and required the use of three recording studios in the Netherlands and Germany. A long tour to support the album brought the band to some of the most important European rock festivals and to Central and South America.
''Invisible Circles'' is a concept album about the dynamics of quarrelsome families and psychological child abuse. The theme was inspired by guitarist Sander Gommans' work as an art teacher, in direct contact with dysfunctional families and teen-age problems. It is also a metal opera, with a storyline that follows the lives of an abused child and her parents since her conception to adulthood. The album was received with mixed reviews, but entered the charts in the Netherlands and Belgium.
==Background==
By the end of 2001, After Forever appeared as rising stars on the dynamic scene of Dutch metal, which included bands like The Gathering, Within Temptation, Gorefest and Ayreon. Their second album ''Decipher'' (2001) had received very positive reviews and their name was well known in the underground scene of the Netherlands. Critics were impressed by the remarkable musicianship of the young members of the band and in particular by Floor Jansen’s vocals, both in studio and in live performances.〔 In contrast with these premises for a bright future, the relationships within the band were not so idyllic. Soon after the release of ''Decipher'', After Forever faced a strong creative contrast between founding member and guitarist Mark Jansen and the rest of the band. Mark Jansen had been the main composer of the band together with Sander Gommans and his love for movie soundtracks and classical music had had a strong influence on the musical style of After Forever’s first two albums, ''Prison of Desire'' (2000) and ''Decipher''.〔 Moreover, his interest for religious and moral themes had characterized his lyrics for many songs, often collected under a common title (e.g. The Embrace That Smothers and My Pledge of Allegiance).〔(【引用サイトリンク】 Video interview with Mark Jansen 2 )〕 In the next album, Jansen meant to further explore complex interactions between classical instruments, choruses in Latin and death metal elements, while Gommans and the others preferred a more direct and aggressive approach to music, retaining some elements that made the sound of the band recognizable, but expanding it in new and different directions.〔 These musical differences led to Mark Jansen leaving the band, in what he felt as an actual dismissal.〔〔(【引用サイトリンク】 Video interview with Mark Jansen )
He quickly formed another band called Sahara Dust, which later developed into the symphonic metal band Epica.〔 His place was taken by Bas Maas, who had been the guitar technician for After Forever during the tours of 2001 and 2002. August and September 2002 were dedicated to a European tour, supporting Finnish act Nightwish and attending some rock festivals, which exposed the band to larger audiences and gained them even more favourable press. Further media exposure came from Floor Jansen's collaboration with Dutch multi-instrumentalist and composer Arjen Anthony Lucassen, for the recording of Star One's album ''Space Metal'' and the subsequent tour in late 2002. Jansen's activities, as well as the regular jobs and studies of the After Forever band members, reduced the band's live performances for the rest of 2002 and half of 2003. It was known that the band was working at a new album from the beginning of 2003, but their first release was the EP ''Exordium'' in October 2003, containing an instrumental track, three new songs and two covers.
In Jansen’s words "the EP ''Exordium'' was like an introduction to this new full length album and the subjects of the lyrics are already connected to the concept (...) meaning they are also dealing with modern, social problems".
The reviewers noticed some musical changes in the new work, but some of them suspended their judgement, waiting for a full album to express their opinions about the new course of After Forever.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Invisible Circles」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.